Some questions about buying a professional camcorder for film and documentary making.? - harddrive professional camcorder
I have a few feature films and documentaries, and other effects, green screen, and all these things.
I understand how computer and video editing software, which I'll get to know i7 and Adobe.
I know nothing about professional video cameras. I have an SD HDD camcorder Sony amateur now. I am looking for a professional HD camera. I do not know what are the differences between the consumer and the professional? I do not know what features I do not need and do not want to regret after the purchase? Or what is the best camera or the best price? Can you help me speak only of these cameras and what is important to know which is better and I would detail would be helpful, THANKS!
Tuesday, February 2, 2010
Harddrive Professional Camcorder Some Questions About Buying A Professional Camcorder For Film And Documentary Making.?
3 comments:
The typical differences:
Consumer: lack of controls manual zoom, audio, focus, aperture, white balance, etc., outside the room. The craft skills can be made available, but accessible via the menu / System Options. If there is a focus and zoom ring is a ring that can be released only one or the other - not both - most do not ring and the use of a switch.
Prosumer / Pro: Manual zoom controls, audio, focus, aperture, white balance, etc., outside the room. Some access to the settings on the menu - but they are not frequently used objects or things, pay the shot in the middle of a scene or too. Focus, zoom and iris control are completely separate.
Consumer Protection: The floppy disk drive (HDD) and the environment of the flash memory, highly compressed video in standard definition MPEG-2 or in the case of high definition, high compression AVCHD / MTS files. MiniDV tapes consumer cameras use the same system with the same high quality DV / HDV as a semi-professional / Pro-brothers and sisters. DVD camcorders on the consumption of the largest user of compressed VOB basis (defined standardIon) and AVCHD (high definition) format.
Prosumer / Pro: In general, no internal hard drive prosumer or professional video cameras. If you use a camcorder to the external hard drive and connects via a FireWire-based miniDV DV tape. This external hard drive to record DV / HDV. There are a couple of blinking video cameras. Panasonic is a pair that (in my opinion) are classified incorrectly as in the AVCHD compression. The rest of the Panasonics, the flash (like the AG-HVX200) Write DV / HDV or DVCPRO HD on P2 cards. The Sony HVR-Z7 uses CompactFlash cards (no memory card!) Please send DV / HDV or DV / XD / HDCAM files.
Consumers: small lenses and small chips get a grainy low-light conditions.
Bullets Prosumer / Pro: big glasses and imaging for the management of environments with little light brighter.
Consumer: 1 / 8 "(3.5mm) audio jack - if applicable - most do not.
Prosumer: 1 / 8 "(3.5mm) audio jack - all have them. A pair of" edge "is equipped with XLR audio connectors.
Advantages: They all have XLR audioConnections. Some can use a 1 / 8 "(3.5mm) audio jack LAV low range wireless connectivity.
DV / HDV / XD DCVPRO HDCAM tape-based camcorders is that the editors have a FireWire port to import DV / HDV. USB will not work. USB-to-adapter or FireWire Cable A / / center of things do not work.
High-end Arts SMTPE Pro uses the time code for synchronizing the audio and other big time. In general, nothing about Prosumer not still images. Han LANC remote wire (so that if the camera on a crane that can), the zoom and distance behind the camera. Some were built in the neutral to specific lighting needs.
It's a start - there's more.
Start with a budget around ($ 2500). See what works ...
Low-end prosumer Pro / DV / HDV cameras on the Sony HDR-FX1000 sand. The usual Supect in the same area include Sony HVR Z1, Z5, Z7 ... Panasonic AG-HVX200, Canon XH Series A and Series XLH and JVC GY. If you are in standard definition, while the PanasonicAG-DVX100 and the Canon XL2 and GL2 ... DSRPD170 and Sony.
They also want the mics (I use a shotgun, wireless LAVS consensus stereo microphone), a good sturdy tripod (Bogen-Libec Mafrotto and are good starting points) and cases (I prefer Pelican) ... and cable, etc. .. You can spend more on accessories for the camera.
Then there is the environmental issue ... Your computer is going on? HDV is a lot of natural resources ... A lot of CPU cycles, lots of RAM and lots of free space on the external drive.
The typical differences:
Consumer: lack of controls manual zoom, audio, focus, aperture, white balance, etc., outside the room. The craft skills can be made available, but accessible via the menu / System Options. If there is a focus and zoom ring is a ring that can be released only one or the other - not both - most do not ring and the use of a switch.
Prosumer / Pro: Manual zoom controls, audio, focus, aperture, white balance, etc., outside the room. Some access to the settings on the menu - but they are not frequently used objects or things, pay the shot in the middle of a scene or too. Focus, zoom and iris control are completely separate.
Consumer Protection: The floppy disk drive (HDD) and the environment of the flash memory, highly compressed video in standard definition MPEG-2 or in the case of high definition, high compression AVCHD / MTS files. MiniDV tapes consumer cameras use the same system with the same high quality DV / HDV as a semi-professional / Pro-brothers and sisters. DVD camcorders on the consumption of the largest user of compressed VOB basis (defined standardIon) and AVCHD (high definition) format.
Prosumer / Pro: In general, no internal hard drive prosumer or professional video cameras. If you use a camcorder to the external hard drive and connects via a FireWire-based miniDV DV tape. This external hard drive to record DV / HDV. There are a couple of blinking video cameras. Panasonic is a pair that (in my opinion) are classified incorrectly as in the AVCHD compression. The rest of the Panasonics, the flash (like the AG-HVX200) Write DV / HDV or DVCPRO HD on P2 cards. The Sony HVR-Z7 uses CompactFlash cards (no memory card!) Please send DV / HDV or DV / XD / HDCAM files.
Consumers: small lenses and small chips get a grainy low-light conditions.
Bullets Prosumer / Pro: big glasses and imaging for the management of environments with little light brighter.
Consumer: 1 / 8 "(3.5mm) audio jack - if applicable - most do not.
Prosumer: 1 / 8 "(3.5mm) audio jack - all have them. A pair of" edge "is equipped with XLR audio connectors.
Advantages: They all have XLR audioConnections. Some can use a 1 / 8 "(3.5mm) audio jack LAV low range wireless connectivity.
DV / HDV / XD DCVPRO HDCAM tape-based camcorders is that the editors have a FireWire port to import DV / HDV. USB will not work. USB-to-adapter or FireWire Cable A / / center of things do not work.
High-end Arts SMTPE Pro uses the time code for synchronizing the audio and other big time. In general, nothing about Prosumer not still images. Han LANC remote wire (so that if the camera on a crane that can), the zoom and distance behind the camera. Some were built in the neutral to specific lighting needs.
It's a start - there's more.
Start with a budget around ($ 2500). See what works ...
Low-end prosumer Pro / DV / HDV cameras on the Sony HDR-FX1000 sand. The usual Supect in the same area include Sony HVR Z1, Z5, Z7 ... Panasonic AG-HVX200, Canon XH Series A and Series XLH and JVC GY. If you are in standard definition, while the PanasonicAG-DVX100 and the Canon XL2 and GL2 ... DSRPD170 and Sony.
They also want the mics (I use a shotgun, wireless LAVS consensus stereo microphone), a good sturdy tripod (Bogen-Libec Mafrotto and are good starting points) and cases (I prefer Pelican) ... and cable, etc. .. You can spend more on accessories for the camera.
Then there is the environmental issue ... Your computer is going on? HDV is a lot of natural resources ... A lot of CPU cycles, lots of RAM and lots of free space on the external drive.
Quality comes first! Market at the lower end, they have quality and price Balak, who despite the quality of consumer camcorders in recent years increased, there is still a big difference.
The format is always a problem, but much remains to Band Pro (please, for my part I) in high definition without the hassle of the high compression, the video at its best (my opinion).
Accommodate camcorders, are full of tricks and features that are some people all the time, such as auto focus, zoom high, even the digital zoom, camera Pro is unlikely that many of them, like the ones for which they have full control over a camera take not only to control. It is a very significant jump, maybe a half-way house would be better. something with some of the simplest is the ability to have full control over the fight against al take appropriate mix.
As for the brand of the camera, and you decide which is best for you. I have Canon for many years, but also from Sony. I like the feel of Canon. Remember that you are not the cause ArouNumber of working days.
Here is a good place to look at the camera Pro and its features,
http://www.dvuser.co.uk/generalresults.p ...
www.mediacollege.com also has lots of tips and video.
This response would take too long to describe all the advantages and disadvantages of cameras and formats.
a very good semi pro camera is a Canon XL1 / 2, both of which are on tape, but the fantastic quality, second hand, see $ 1500 purchased for the amount of cheaper cameras. OK, not HD, but that seems not to interfere with TV and many many societies, which still film.
You can send me an email if you want, I can tell you many more links.
I hope that everything goes well for you
RR
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